Laura Cionci (Rome, 1980) is an artist and performer. Her research cultivates relational practices to develop creative processes aimed at re-articulating the human energetic potential in its relation to notions of biodiversity and territory.

Her work has been presented in State of Grace, Darebin Art Centre, Melbourne (2020); Vi.Vedo/Viu.Vos, Museu de Arte Contemporânea de Campinas, Saõ Paulo (2019); BienNolo, Milano (2019); 101, the beginning of infinity, MIM, Museum of Innocence, Mildura (2019); Paisaje Privado, Museo Casa de la Memoria, Medellín (2018); Una Mirada al Bosque Vertical, Museo de Arquitectura Leopoldo Rother, Universidad Nacional, Bogotà (2018); Fremantle Biennale (2017), Australia; Bienal de Arte Público, Cali (2016); Teatrum Botanicum, Parco Arte Vivente, Torino (2016); Proyecto H, Museo del Carnaval e Teatro de Verano, Montevideo (2014); and Carnevalma, Centro Cultural Borges, Buenos Aires (2013), among other projects.

Her first book, Stato di Grazia, was published in 2020 by postmedia books.