Agorà
permanent sound installation
OPENArchival Platform
Kiluanji Kia Henda
Luanda-Angola, 1979, Kiluanji Kia Henda is an autodidact which a profound springboard into this realm comes from growing up in a household of photography enthusiasts. His conceptual edge was sharpened by immersing himself into music, avant-garde theater and collaborating with a collective of emerging artists in Luanda ́s art scene. Kia Henda participated in several residency programs in cities such as Venice, Cape Town, Paris, Amman and Sharjah, New York and Arles.
Kia Henda´s selected solo exhibitions includes Something Happen on the Way to Heaven, at Museo di Arte di Nuoro (2020), The Isle of Venus at Museum of Leuven in Leuven (2020), A City Called Mirage at the International Studio and Curatorial Program (ISCP) in New York (2017), In the Days of a Dark Safari at Galeria Filomena Soares in Lisbon and Goodman Gallery in Cape Town (2017) and Self-Portrait As A White Man at Galleria Fonti in Naples (2010).
Kia Henda has participated in group exhibitions at numerous institutions,
Luanda-Angola, 1979, Kiluanji Kia Henda is an autodidact which a profound springboard into this realm comes from growing up in a household of photography enthusiasts. His conceptual edge was sharpened by immersing himself into music, avant-garde theater and collaborating with a collective of emerging artists in Luanda ́s art scene. Kia Henda participated in several residency programs in cities such as Venice, Cape Town, Paris, Amman and Sharjah, New York and Arles.
Kia Henda´s selected solo exhibitions includes Something Happen on the Way to Heaven, at Museo di Arte di Nuoro (2020), The Isle of Venus at Museum of Leuven in Leuven (2020), A City Called Mirage at the International Studio and Curatorial Program (ISCP) in New York (2017), In the Days of a Dark Safari at Galeria Filomena Soares in Lisbon and Goodman Gallery in Cape Town (2017) and Self-Portrait As A White Man at Galleria Fonti in Naples (2010).
Kia Henda has participated in group exhibitions at numerous institutions, amongst which Barbican Art Center in Lonodon (2020), Migros Museum in Zurich (2020), Centre Georges Pompidou in Paris (2020), Zeitz MOCAA in Cape Town (2019), Tate Modern in London (2019), MAAT in Lisbon (2018), the National Museum of African Art – Smithsonian Institution in Washington D.C. (2015) and the Guggenheim Museum in Bilbao (2015).
His work was shown at the Gwangju Biennale (2018), Bergen Assembly (2013), São Paulo Biennale (2010), Venice Biennale (2007) and the Luanda Triennale (2007). In 2017, Kia Henda received the Frieze Artist Award. He presented his work The Fortress in the Somerset House courtyard (London) in 2019. The artist won Angola’s National Culture and Arts Award in 2012. His work can be found in public collections, including Tate Modern (London), the Museum of Modern Art (Warsaw), Centre George Pompidou (Paris), Pérez Art Museum (Miami) and Coleção de Arte Moderna Calouste Gulbenkian (Lisbon).
Isle of Venus is a meditation on the socio-psycho and self imposed short sightedness produced by the transformation of cities into theme based museum sites, whether anchored in the romanticism of the Renaissance or in the gritty appeal of the medieval.
Isle of Venus is a site specific installation by Kiluanji Kia Henda conceptualized during the artists sojourn in Florence as a reflection on the city, its history and its relationship to transitory people whether tourists or other seemingly impermanent residents.
Island mentality refers to the notion that isolation and lack of consideration for all beyond one’s borders produces a sense of superiority that is insular in its desensitization. This notion is not reserved for those geographically cut off from others but spills over onto those societies so habitually engaged in establishing the terms, norms, canons, borders and values that they thrive on, that they rarely take notice of the labor intensively constructed fiction or the painstakingly preserved facade.
Isle of Venus is a meditation on the socio-psycho and self imposed short sightedness produced by the transformation of cities into theme based museum sites, whether anchored in the romanticism of the Renaissance or in the gr
Isle of Venus is a site specific installation by Kiluanji Kia Henda conceptualized during the artists sojourn in Florence as a reflection on the city, its history and its relationship to transitory people whether tourists or other seemingly impermanent residents.
Island mentality refers to the notion that isolation and lack of consideration for all beyond one’s borders produces a sense of superiority that is insular in its desensitization. This notion is not reserved for those geographically cut off from others but spills over onto those societies so habitually engaged in establishing the terms, norms, canons, borders and values that they thrive on, that they rarely take notice of the labor intensively constructed fiction or the painstakingly preserved facade.
Isle of Venus is a meditation on the socio-psycho and self imposed short sightedness produced by the transformation of cities into theme based museum sites, whether anchored in the romanticism of the Renaissance or in the gritty appeal of the medieval. Part and parcel of this veneer is the distancing of all things unaligned with, or that effectively, evoke the social underpinnings of this consistent barrage.
Curated by BHMF in collaboration with MAD Murate Art District;
MAD Murate Art District, Sala Anna Banti 03/02-28/02/2021
Black History Month Florence.VI Edizione. OSTINATO
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