Agorà
permanent sound installation
OPENSui Generis | Autoritratti
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Sui Generis | Autoritratti
Bettina Buck (Cologne 1974, Berlin 2018) graduated from the Kunsthochschule für Medien in Cologne and then obtained a Masters in Fine Art from Goldsmiths, University of London. Her research focuses on the notion of sculpture as duration and collapse, chance and transformation. Selected exhibitions: 2018 Raumfolgen, Schloß Burgau, Düren; 2016 City Dance Köln; All Italy is silent German Academy of Villa Massimo and Royal Academy of Spain, Rome 2014 Another Interlude, Performance, Galleria Nazionale d’Arte Moderna, Rome, To continue. Notes towards a Sculpture Cycle: Scale, Nomas Foundation, Rome; 2012 A House of Leaves, David Roberts Art Foundation, London; 2011 V&A cycle (performance), performance, Postmodernism: Style and Subversion 1970-1990: Friday Late: The Postmodern Look, V&A, London; 2010 Platzhalter, Galerie Monitor, Rome; 2007 Reaparecidos, Museo de la Ciudad, Quito. Between 2009 and 2017 she created five Invite projects, a series of exhibitions structured as
Bettina Buck (Cologne 1974, Berlin 2018) graduated from the Kunsthochschule für Medien in Cologne and then obtained a Masters in Fine Art from Goldsmiths, University of London. Her research focuses on the notion of sculpture as duration and collapse, chance and transformation. Selected exhibitions: 2018 Raumfolgen, Schloß Burgau, Düren; 2016 City Dance Köln; All Italy is silent German Academy of Villa Massimo and Royal Academy of Spain, Rome 2014 Another Interlude, Performance, Galleria Nazionale d’Arte Moderna, Rome, To continue. Notes towards a Sculpture Cycle: Scale, Nomas Foundation, Rome; 2012 A House of Leaves, David Roberts Art Foundation, London; 2011 V&A cycle (performance), performance, Postmodernism: Style and Subversion 1970-1990: Friday Late: The Postmodern Look, V&A, London; 2010 Platzhalter, Galerie Monitor, Rome; 2007 Reaparecidos, Museo de la Ciudad, Quito. Between 2009 and 2017 she created five Invite projects, a series of exhibitions structured as a dialogue between her own practice and that of an artist with whose work she felt a relationship of intimacy and confrontation: Cologne, 2009; Berlin 2011; London, 2012; Exeter, 2013; Berlin, 2017.