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Sentiero del Teatro accanto alla Follia

Giuliano Scabia and Franco Basaglia 

curated by di Andrea Mancini

 

The exhibition explores the collaboration between Franco Basaglia and Giuliano Scabia, which began in 1971 with the theater workshop “Fourteen Actions for Fourteen Days.” Together, they carried out an artistic project at the Psychiatric Hospital of Trieste, culminating in the creation of the symbolic Marco Cavallo. This project anticipated the Basaglia Law, which revolutionized the treatment of mental illness.

As stated by the curator, Sentiero del Teatro accanto alla follia, was already a project by Giuliano Scabia, accompanied by at least one of the Quaderni del Teatro Vagante, written as an in-depth look at his work. This led to the publication of two notebooks and an exhibition. The first of these books is an extraordinary repertoire of images – partly also featured in the exhibition – that document day by day the commitment of Scabia, Vittorio Basaglia, and many others in Laboratorio P, a disused ward of the psychiatric hospital of Trieste, directed – as is well known – by Franco Basaglia; the other is a book of materials, often unpublished or rare, that tells the exceptional journey of Scabia, alongside mental illness, with a series of critical insights, confessions, uncertainties, deviations, and euphoria, which are hard to imagine, but which tell, better than many other things, the nature of this path, a nature sometimes uncertain, not always oriented towards positive outcomes, even though there is a strong presence of Marco Cavallo, and that – as Giuliano was keen to specify – of the Blue Dragon, seen as magical characters, to solve every problem faced by the hero.

The exhibition thus presents materials from Laboratorio P in Trieste, including drawings, sculptures, photographs, and historical footage. Notable works include the Earthly Paradise, Miss Rosina, and the Blue Dragon of Montelupo. The documentation also celebrates the closure of other asylums, such as the Vigil of Marco Cavallo at San Salvi in 1998.

 


Programma di eventi

  • Saturday, August 31, 6:00 PM – Marignolle

Teatro al tramonto by Giuliano Scabia (with a convivial moment) in Paolo’s field on the hills of Marignolle, Via Bernardino Poccetti, 19, Florence (near Due Strade).

Participants:

Teatro delle Ariette with “Letter to the Horses of Trieste”

Pacifica Brigata Giuliano Scabia with “Song of Indestructible Life”

Margherita Scabia, cello Dimitri Grechi Espinoza, saxophonist Annibale Pavone in “Appearance of a Wandering Theater Above the Forests” (from “Theater with Forest and Animals,” Einaudi 1987)

 

Thursday, September 5, 5:00 PM – MAD Murate Art District

Screening of original footage on the Marco Cavallo (1973) and the Dragon of Montelupo (2003) experiences

 

Thursday, September 19, 9:00 PM – MAD Murate Art District

Sandro Lombardi and Annibale Pavone in La luce di dentro by Giuliano Scabia (from the book of the same name, Titivillus 2010)

 

Wednesday, September 25, 4:00 PM – MAD Murate Art District

Per un teatro dell’impegno, first meeting with Tuscan organizations working with discomfort and madness, curated by Andrea Scabia

 

Thursday, September 26 – MAD Murate Art District

8:30 PM Theatrical action by Claudio Ascoli (Chille della Balanza), Lettere del filosofo Guido Calogero dal carcere duro delle Murate (febbraio-giugno 1942)

9:00 PM I Sacchi di Sabbia in Cinghiali al limite del bosco by Giuliano Scabia (from “Theater with Forest and Animals,” cit.)



Fondazione Giuliano Scabia

On May 21, 2021, Giuliano Scabia made himself invisible, grew wings and has been flying into the next world ever since. Immediately afterwards, his wife Cristina and his children Marco and Aurora decided to keep him alive also through a concrete act of love that promoted his work. Thus the idea of ​​creating a Foundation in his name was born. The deed of incorporation of the Giuliano Scabia Foundation was signed on 30 May 2022, and in October of the same year the Foundation became a Third... Sector Body. The family, with the support of many friends, ventured into this undertaking with the aim of preserving, enhancing and making Scabia’s work known, especially to young people.

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